I believe writing was the first truly verifiable and effective form of magic. Think of how it must have impressed people in ancient times! To look at marks, pressed into fired clay, and know that they convey the words of scribes and kings long dead — it must have seemed fantastic. Knowledge, wisdom and art could finally accumulate, and death was cheated one part of its sting. read on
Years ago, about the same time that studios were bidding for The Postman, my wife Cheryl and I went to a screening of Field of Dreams. As we emerged, she turned to me and said, "That's him. He's the one." read on
The self-preventing prophecy is arguably the most important type of literature, since it gives us a stick to wield, poking into the ground before us as we charge into a murky future, exploring with our minds what quicksand dangers may lurk just ahead. Indeed, forward-peering storytelling is one of the major ways that we turn fear into something profoundly practical. But this doesn't explain the dreary ubiquity of contempt that seems to fill the vast majority of contemporary novels and films, depicting the writer's fellow citizens as barely smarter than tree frogs, in a civilization unworthy of the name. read on
All literature has deep roots in fantasy, which in turn emerges from the font of our dreams. But why are science fiction and fantasy so often grouped together? The core thing about fantasy tales is that, after the adventure is done and the bad guys are defeated... the social order stays the same. Science fiction, in sharp contrast, rebels against its literary foundations by embracing change. read more
Does science fiction owe a "duty" to the past? First: SF authors read more history than science (only a few of us know very much about the latter). Second, almost everything we do is about extending, or extrapolating, or pondering alterations in the grand, sweeping epic of humanity. I've long pondered — might the field better have been named Speculative History? read on
Many of David's published articles and blog-post speculations about science fiction are curated on scoop.it.
The question has filled pages and books, resonating across hotel bars and conferences for decades. What, exactly, is science fiction? It matters for many reasons, not least because the genre encompasses just about everything that's not limited to the mundane here and now, or a primly defined past. read on
There's no way we know what the future is going to be like. In this Fast Forward video, Brin describes how science fiction designs thought experiments. watch this
For the science fiction pro, teacher or avid reader: these websites offer a wealth of background, history and insight into "the literature of the future" — science fiction. read on
If you're poking at the future, the most important thing to do is poke where the landmines are. Is that what today's dystopias do — or do they create faux enemies and let the carnage carry the film or book? watch this
Exhalation, by Ted Chiang
The Secret Commonwealth (The Book of Dust, Book 2), by Philip Pullman
Recursion, by Blake Crouch
Agency, by William Gibson
The Eleventh Gate, by Nancy Kress
Docile, by K. M. Szpara
The City We Became, by N. K. Jemisin
A Witch in Time, by Constance Sayers
The Vanished Birds, by Simon Jimenez
The Mermaid, the Witch, and the Sea, by Maggie Tokuda-Hall
It's one thing to portray this endeavor in fiction — the prospects, dangers and hopes for increasing animal (and possibly human) intelligence. But could it happen in real life? And if so, what are the ethical, biological, and political drawbacks?
How could such a program ever begin? Who would — or should — monitor it? And would the goal — an Earth civilization filled with diverse and beautifully different minds — be worth the costs of getting there? explore the possibilities
When a group of teens rescue a stranded alien, humanity is rewarded with a "gift": their entire high school, along with a quarter-mile radius of town surrounding the school, is transported to a new planet, millions of light years from Earth. 1200 'colonists,' mostly teens, must learn to survive in a strange and hostile environment. Learn more about Colony High and Castaways of New Mojave, the first two books of the High Horizon series.
Some tales and ideas require less room than a complete novel. Short stories, novelettes, and novellas each have very different styles, rhythms and artistic flavor. Many of Brin's can be read on this site; others are compiled in story collections.
In the 24th century, people live in the very opposite of a dystopia. Only now their near-utopia is in desperate peril! David Brin's Out of Time series of YA books sends young adventurers — much like the reader, from the inner city or suburbia or an immigrant background — hurtling out of today's vexing world into a future where only their courage and savvy innovation can save the day.
David Brin's science fiction novels have been New York Times Bestsellers, winning multiple Hugo, Nebula and other awards. At least a dozen have been translated into more than twenty languages. They range from bold and prophetic explorations of our near-future to Brin's Uplift series, envisioning galactic issues of sapience and destiny (and star-faring dolphins!). Learn More
Short stories and novellas have different rhythms and artistic flavor, and Brin's short stories and novellas, several of which earned Hugo and other awards, exploit that difference to explore a wider range of real and vividly speculative ideas. Many have been selected for anthologies and reprints, and most have been published in anthology form. Learn More
Since 2004, David Brin has maintained a blog about science, technology, science fiction, books, and the future — themes his science fiction and nonfiction writings continue to explore. Learn More
Who could've predicted that social media — indeed, all of our online society — would play such an important role in the 21st Century — restoring the voices of advisors and influencers! Lively and intelligent comments spill over onto Brin's social media pages. Learn More
David Brin's Ph.D in Physics from the University of California at San Diego (the lab of nobelist Hannes Alfven) followed a masters in optics and an undergraduate degree in astrophysics from Caltech. Every science show that depicts a comet now portrays the model developed in Brin's PhD research. Learn More
Brin's non-fiction book, The Transparent Society: Will Technology Force Us to Choose Between Freedom and Privacy?, continues to receive acclaim for its accuracy in predicting 21st Century concerns about online security, secrecy, accountability and privacy. Learn More
Brin speaks plausibly and entertainingly about trends in technology and society to audiences willing to confront the challenges that our rambunctious civilization will face in the decades ahead. He also talks about the field of science fiction, especially in relation to his own novels and stories. To date he has presented at more than 200 meetings, conferences, corporate retreats and other gatherings.Learn More
Brin advises corporations and governmental and private defense- and security-related agencies about information-age issues, scientific trends, future social and political trends, and education. Urban Developer Magazine named him one of four World's Best Futurists, and he was appraised as "#1 influencer" in Onalytica's Top 100 report of Artificial Intelligence influencers, brands & publications. Past consultations include Google, Microsoft, Procter & Gamble, and many others. Learn More
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